![]() In any case, those watching for the horror probably want their guts served up on a plate and really don't care much about monster character development. With empathy for fellow artist-monsters, the director starts telling the story from the perspective of the monsters, a narrative trick played long ago in the Frankenstein story. The monsters also discuss the relative nature of evil here ("Now we're the bad guys") that is amusing on its own but, inserted into the gory momentum, brings the action to a dead halt. He wants to "build up some suspense" to scare victims before going in for the kill, an artist at heart. ![]() One newbie miscreant sounds like a horror movie director. Characters routinely disregard their peril, playing into the hands of their killers. Like the first film, this one also mocks the conventions of the horror genre. Under the influence of the internet and screen time, we've lost our empathy and humanity - resulting in monsters? Moments before the internet-free camp director's nasty murder, he rails about the evils of the internet and society to his silent wife, who surely must have already heard this long list of grievances a thousand times before. The themes of the first film weakly repeat here. The new ones don't eat their victims (perhaps they've adopted a low animal protein diet). The new monsters, just as pustulous, grotesque, and snarling, seem to also possess superhuman strength, yet one turns out to be quite gorily mortal. Yet we see the once-deceased monsters jailed, meek and docile. The old monsters ate their victims and were uncontainable. This is a sloppy sequel it feels as if the filmmakers were rushing this for release within a year of the first film's success. A man is accused of having swastika on his chest. The man calls the woman a "whore," and she shoots back, "At least I don't have AIDS," seemingly calling the man gay, as if it were an insult. Two boil-covered monsters have nude monster sex (actors in ghastly rubber suits) and language includes ample use of "f-k," "s-t," "ass," "bitch," "p-y," "pr- k," "d-k," "whore," "bastard," and "hell." Two extremely large monsters of the last film are referred to as "fat" and "fatties." A woman snaps at traumatized men for "crying like a woman." A man and woman argue, using stereotype insults. A face is ripped off while the victim screams. Skulls are crushed, bodies are eviscerated, run over, exploded, knifed through the eye, and torn in half. In Polish with English subtitles, the film offers a cheeky meta-view of horror movie clichés while also showcasing them all. Parents need to know that Nobody Sleeps in the Woods Tonight 2 is the 2021 sequel to the popular Netflix 2020 horror film with a similar title. "F-k," "s-t," "ass," "bitch," "p-y," "pr-k," "d-k," "bastard," and "hell."ĭid you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.
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